@article{oai:juen.repo.nii.ac.jp:00004745,
 author = {小埜,  裕二 and Ono,  Yuji},
 issue = {1},
 journal = {上越教育大学研究紀要},
 month = {Sep},
 note = {宮沢賢治の「ガドルフの百合」は、これまで〈宗教〉か〈恋〉かといった問題をモチーフとする小品と考えられてきた。本稿では結末の「おれの百合」が意味する従来の解釈に疑問を呈し、結末の新たな読み替えにもとづき、死は現象世界のもので、さらに大きな生がわれわれを取り囲んでいるという生命観の転換が本作に示されていることを指摘した。そのうえで、そうした現実世界を取りまく〈大宇宙の生命世界〉と、ガドルフが脳裏に見る〈心象世界〉が密接な関わりを持つことを明らかにし、本作が賢治文学の〈心象スケッチ〉と〈法華文学〉の関係を解明する手がかりを与える重要な作品であることを述べた。, A lily of Gadolf by Kenji Miyazawa haz been thought as a piece of work,dealing with a theme that which is more important for life,‘Religion' or ‘Love'. However, with strating to suspect the traditional interpretation of the end of this story, I will point out that this story asserts that death is belonging to thephenomenal world and we are surrounded by farther vital world. Furthermore,I will clarify that ‘vital world in the grate universe' which is surrounding our actual world and ‘image world' in sight of Gadolf are conserned with each other closely. And I will express my opinion that “A lily of Gadolf” is a very important work which give us the key point that we can see relation between ‘Mental sketch' and 'Hokekyo literature'.},
 pages = {370--380},
 title = {<大宇宙の生命世界>と<心象世界> : 「ガドルフの百合」論},
 volume = {19},
 year = {1999},
 yomi = {オノ, ユウジ}
}