{"created":"2023-05-15T10:55:09.595317+00:00","id":4971,"links":{},"metadata":{"_buckets":{"deposit":"6c49cfe1-0dd0-412c-8a7f-815a1d475421"},"_deposit":{"created_by":17,"id":"4971","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"4971"},"status":"published"},"_oai":{"id":"oai:juen.repo.nii.ac.jp:00004971","sets":[]},"author_link":["15111","15112"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2010-02","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"218","bibliographicPageStart":"207","bibliographicVolumeNumber":"29","bibliographic_titles":[{"bibliographic_title":"上越教育大学研究紀要"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"岩波古典文学大系本『狂言集』上下巻(大蔵流山本東本)に見られるオノマトペを収集し, その特徴を整理した｡浄瑠璃や歌舞伎の脚本に見られたオノマトペとは性格が異なり, 次のような特徴が認められた｡1)擬音語は, 動物の鳴き声に音マネ的な性格がある｡物音の場合は, 慣用的なオノマトペにより舞台上の効果音として用いている｡2)擬態語は, 心情を表すオノマトペがほとんど見られない｡また, いくつかの定型的表現により, 類型的な劇の構造, 典型的な舞台背景, 典型的な人物像を観客にイメージしやすくさせている｡強調表現を効果的に使っている｡3)オノマトペに関する言葉遊びとしては, 同音を導くもの, 対句的な使われ方のものが見られ, おかしみを誘う効果がある｡","subitem_description_type":"Abstract"},{"subitem_description":"I collected the onomatopoeia seen in the Noh farce script of Ookuraryu Yamamotoazuma-bon, and put those characteristics in order.A character was different from the onomatopoeia seen in the play of the joruri and the kabuki, and the following characteristics were admitted.1) The onomatopoeia of the animal's song has the character which imitates sound. The onomatopoeia which shows sound is being used as the sound effect on the stage by the idiomatic onomatopoeia.2) The onomatopoeia which expresses its feeling is hardly seen with mimesis. Typical stage scenery is making an audience make easy to image concerning some fixed forms by the expression, the structure of the play concerning a type. An emphasis expression is being used effectively.3) The play at word which does a used method concerning the play at word which it leads the same sound to, and the antithesis is seen, and play at word about the onomatopoeia has the effect which arouses a funny laugh and amusement.","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"上越教育大学"}]},"item_10002_relation_12":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_relation_type":"isIdenticalTo","subitem_relation_type_id":{"subitem_relation_type_id_text":"AN10284863","subitem_relation_type_select":"NAID"}}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0915-8162","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"中里,  理子"},{"creatorName":"ナカザト, ミチコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Nakazato,  Michiko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-06-17"}],"displaytype":"detail","filename":"kiyo29-21.pdf","filesize":[{"value":"6.9 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kiyo29-21.pdf","url":"https://juen.repo.nii.ac.jp/record/4971/files/kiyo29-21.pdf"},"version_id":"1e29b0aa-2886-45c1-ad3d-39b492ccecbc"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"オノマトペ","subitem_subject_scheme":"Other"},{"subitem_subject":"音マネ","subitem_subject_scheme":"Other"},{"subitem_subject":"定型的表現","subitem_subject_scheme":"Other"},{"subitem_subject":"強調表現","subitem_subject_scheme":"Other"},{"subitem_subject":"言葉遊び","subitem_subject_scheme":"Other"},{"subitem_subject":"onomatopoeia","subitem_subject_scheme":"Other"},{"subitem_subject":"sound imitation","subitem_subject_scheme":"Other"},{"subitem_subject":"an expression concerning a fixed form","subitem_subject_scheme":"Other"},{"subitem_subject":"emphasis expression","subitem_subject_scheme":"Other"},{"subitem_subject":"play at word","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"狂言台本山本東本に見るオノマトペ : 浄瑠璃・歌舞伎脚本との比較とともに","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"狂言台本山本東本に見るオノマトペ : 浄瑠璃・歌舞伎脚本との比較とともに","subitem_title_language":"ja"},{"subitem_title":"Research into Onomatopoeia in the Noh Farce Script of Yamamotoazuma-bon -With the Comparison with the Play of the Joruri and the Kabuki-","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"17","path":["1035"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2010-08-02"},"publish_date":"2010-08-02","publish_status":"0","recid":"4971","relation_version_is_last":true,"title":["狂言台本山本東本に見るオノマトペ : 浄瑠璃・歌舞伎脚本との比較とともに"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2024-03-04T05:40:41.961200+00:00"}